{"title":"Literature","description":null,"products":[{"product_id":"h-melt-on-my-way-to-liberation","title":"On My Way to Liberation","description":"\u003cp\u003eHow do you imagine trans liberation while living in a cis world? On My Way To Liberation follows a gender nonconforming body moving through the streets of Chicago. From the sex shop to the farmers market, the family dinner table to the bookstore, trans people are everywhere, though often erased. Writing towards a trans future, H. Melt envisions a world where trans people are respected, loved and celebrated every day. 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Until “Dear Rhoda” her experience in writing was mostly shopping lists! Now she spends her time writing, directing and producing live theatrical productions that are meant to entertain, involve the residents of her Washington Island community and raise funds for the local performing arts center. She lives on Washington Island, Wisconsin and Naples, Florida with her husband of 55 years, Larry. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Ranney is Professor Emeritus in the College of Urban Planning and Public Affairs at the University of Illinois Chicago. He received his BA degree at Dartmouth College and his PhD at Syracuse University. Professor Ranney has also been a factory worker, a labor and community organizer and an activist academic. He is the author of four books, a play and numerous articles and monographs on issues of employment, labor and community organizing and U.S. trade policy. 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Miller \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x-el x-el-div c2-1 c2-2 c2-l c2-30 c2-31 c2-32 c2-33 c2-34 c2-35 c2-36 c2-3 c2-4 c2-37 c2-38 c2-39 c2-3a c2-5 c2-6 c2-7 c2-8\" data-ux=\"Grid\" data-mce-fragment=\"1\"\u003e(West Side)\u003c\/div\u003e\n\u003cdiv class=\"x-el x-el-div c2-1 c2-2 c2-l c2-30 c2-31 c2-32 c2-33 c2-34 c2-35 c2-36 c2-3 c2-4 c2-37 c2-38 c2-39 c2-3a c2-5 c2-6 c2-7 c2-8\" data-ux=\"Grid\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"x-el x-el-div c2-1 c2-2 c2-l c2-30 c2-31 c2-32 c2-33 c2-34 c2-35 c2-36 c2-3 c2-4 c2-37 c2-38 c2-39 c2-3a c2-5 c2-6 c2-7 c2-8\" data-ux=\"Grid\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eLinda L Miller is the founder of \u003c\/span\u003eICColors2Publish LLC.\u003c\/div\u003e","brand":"Linda L. 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It encourages readers to embrace the healing power of community, finding comfort in the stories of others who have experienced friend grief during the pandemic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat Our Friends Left Behind\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eserves as a source of comfort, validation, and hope, reminding readers that they were not alone in the intricate journey of friend grief during these challenging times.\u003c\/span\u003e\u003cbr\u003eThe history of the AIDS epidemic has largely been told from the perspective of gay men: their losses, struggles and contributions, but what about women - in particular, straight women? Not just Elizabeth Taylor and Princess Diana, but thousands whose accomplishments have never been recognized? For almost forty years, straight women have been affected by HIV\/AIDS. They have fought for the right to be included in clinical trials and qualify for disability benefits. They have raised money and awareness. They have devoted their lives to caregiving, medical research and advocacy. But until now, their stories have been ignored or forgotten, even in accounts of women's history. Drawing on personal interviews and archival research, Fag Hags, Divas and Moms: The Legacy of Straight Women in the AIDS Community is the first book to share the stories of women around the world, throughout the epidemic. Some of the names are familiar; most are not. But all have left a lasting impact on the fight against a virus that has killed over 40 million people around the world of them women. Victoria Noe assures their place in women's history, half for their determination to educate and advocate, to end the epidemic once and for all. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e979-8988240501\u003cstrong\u003e\u003cbr\u003eDimensions: \u003c\/strong\u003e 5.5 x 8.5\", 205 pages\u003cbr\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003eSoftcover book\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eVictoria Noe\u003c\/strong\u003e\u003cbr\u003e(Irving Park)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVictoria Noe is an award-winning author, speaker and activist. Her Friend Grief series recognizes the importance of friendships in shaping our lives, and is currently being updated to include the coronavirus pandemic. 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Sierra is guided by studio thinking and the creative paths she finds herself most excited by are those that strive to enhance image-based media literacy and offer space for viewers to self-reflect.\u003cbr\u003e\u003c\/p\u003e","brand":"Sierra Jackson","offers":[{"title":"Default Title","offer_id":44218876690676,"sku":"P4729SJA","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0445\/4282\/0511\/files\/DSC_2383.jpg?v=1711390011"},{"product_id":"sunshine-on-an-open-tomb-by-tim-kinsella","title":"Sunshine on an Open Tomb by Tim Kinsella","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;It’s fall 1988 and the narrator of Sunshine on an Open Tomb is doing his best to work this out on both the colossal scale of global politics and the interior level of personal intimacy through a fog of perpetual tipsiness and generations of inbreeding. The brooding runt of a political dynasty whose father is about to be appointed Prez, our narrator has been living freely among The Barbarians for years when The Media, desperate for content at the advent of the 24-hour news cycle, aims its fervent interest at him. The Family, famously quick to eradicate unpredictability, plucks him from his comforts and relocates him to the secret family compound he hasn't been welcome to in years. There, away from the everydayness that blanketed him, he must navigate a shape-shifting estate and confront an impossible love triangle in order to find an elusive bunker where he will set to work on his revenge: he will correct the best-selling, so-called objective biography of The Family with the real story—the book you’re reading about right now.\u0026quot;}\"\u003eIt’s fall 1988 and the narrator of Sunshine on an Open Tomb is doing his best to work this out on both the colossal scale of global politics and the interior level of personal intimacy through a fog of perpetual tipsiness and generations of inbreeding. The brooding runt of a political dynasty whose father is about to be appointed Prez, our narrator has been living freely among The Barbarians for years when The Media, desperate for content at the advent of the 24-hour news cycle, aims its fervent interest at him. The Family, famously quick to eradicate unpredictability, plucks him from his comforts and relocates him to the secret family compound he hasn't been welcome to in years. 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The images and poetry tell the stories of oppressed peoples cultural resilience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n8.5” x 5.5” \u003cbr\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Full Color Zine on Glossy Cardstock\"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-mce-fragment=\"1\"\u003eFull Color Zine on Glossy Cardstock\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Rebel Betty \"}'\u003eRebel Betty \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e(\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Pilsen\"}'\u003ePilsen\u003c\/span\u003e)\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Rebel Betty is an AfroIndigenous Puerto Rican poet, multidisciplinary artist and cultural worker based in Chicago.\\n\\nRebel is using a  multidisciplinary approach to depict the magic and movement of Black, Brown and Indigenous communities and to trace back ancestral forms of resistance and culture through storytelling and archiving moments in history. \\n\\nHer visual art, organizing and cultural work center on the preservation of culture in Black and brown communities through facilitated dialogue, poetry, music, education and the arts. Rebels visual art makes use of historical archives and contemporary photography to create colorful and impactful multimedia collages and videos that speak truth to power and document the power and beauty of Black, Brown and Indigenous communities.\\n\\nThemes in Rebels work are gentrification, decolonization and honoring Black and Indigenous struggles for liberation and healing through connection to the past. \"}'\u003eRebel Betty is an AfroIndigenous Puerto Rican poet, multidisciplinary artist and cultural worker based in Chicago.\u003cbr\u003e\u003cbr\u003eRebel is using a multidisciplinary approach to depict the magic and movement of Black, Brown and Indigenous communities and to trace back ancestral forms of resistance and culture through storytelling and archiving moments in history. \u003cbr\u003e\u003cbr\u003eHer visual art, organizing and cultural work center on the preservation of culture in Black and brown communities through facilitated dialogue, poetry, music, education and the arts. Rebels visual art makes use of historical archives and contemporary photography to create colorful and impactful multimedia collages and videos that speak truth to power and document the power and beauty of Black, Brown and Indigenous communities.\u003cbr\u003e\u003cbr\u003eThemes in Rebels work are gentrification, decolonization and honoring Black and Indigenous struggles for liberation and healing through connection to the past. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Rebel Betty","offers":[{"title":"Default Title","offer_id":44310752166132,"sku":"P4885RBA","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0445\/4282\/0511\/files\/HastaenlaLuna-RebelBetty-Buddyboarder.jpg?v=1701300849"},{"product_id":"zero-by-tyler-little","title":"Zero by Tyler Little","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial; font-style: normal;\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Amie Zimmerman tells us in her poem, The Self, which is accompanied by and faced with the metamorphic, gradient illustrations of Samantha Wall's 31 Days to create a collaborative excoriation of an identity of society's worst behaviors. In an effort to get at the root of true evil (i.e. violence, fascism, exploitation, colonization, etc.) both artist and poet peel away at the human inability to interact with society without (un)conscious integration. Zimmerman, whose poem meanders through both waking and dream states, assesses our current political turmoil, our fragile ecology, our sociopaths and demagogues who lead our country further into darkness, while also accounting for her own culpability. \\\u0026quot;Look at me\/demanding anything,\\\u0026quot; she states in a paradoxical gesture of power and abnegation. Opposite of Zimmerman's poem is Wall's series of fists created daily during the month of January 2017. In Wall's drawings, the self is also subject to forces beyond its control, accounting for an irresolute, perishing subjectivity while also maintaining a gesture of power, solidarity, and integrity. 31 Days\/The Self reminds us that the way forward is not through attrition, not through the simplification of dualism, but through a radical recodification of our own identity that takes into account what we have yet to unpack, that our harms are not singular, solipsistic blips in the atmosphere, that our harms are systemic, that they are the harms of the many.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}' data-mce-fragment=\"1\" data-mce-style=\"font-size: 10pt; font-family: Arial; font-style: normal;\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Zero, an integer that expresses an absence, a being there that signifies the inverse, space inhabited to indicate nonspace. In Tyler Little’s debut chapbook, zero is not so much a paradox of operations as it is a historical process, from nothing, a brief flicker, and return to nothing. For Little, this order is inherently atavistic but that lineage requires investigation. “I, has been \/ found \/ from the form \/ without \/ origin” she writes, invoking the poetics inherent in questions of heritage. Little’s poetry does not seek to find harmony in this rupture, but to uncover more between the cleavage. \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eZero, an integer that expresses an absence, a being there that signifies the inverse, space inhabited to indicate nonspace. In Tyler Little’s debut chapbook, zero is not so much a paradox of operations as it is a historical process, from nothing, a brief flicker, and return to nothing. For Little, this order is inherently atavistic but that lineage requires investigation. “I, has been \/ found \/ from the form \/ without \/ origin” she writes, invoking the poetics inherent in questions of heritage. Little’s poetry does not seek to find harmony in this rupture, but to uncover more between the cleavage. \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e4.5 x 6.5\"\u003cbr\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003e80# Felt cover, 60# body stock\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eUrsus Americanus Press\u003c\/strong\u003e\u003cbr\u003e(Bridgeport)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublishers of beautiful weirdos: Ursus Americanus Press is a small publishing company based in Chicago and New York.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ursus Americanus Press","offers":[{"title":"Default Title","offer_id":45606832865524,"sku":"P4992URA","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0445\/4282\/0511\/files\/UrsusAmericanus-Books-Buddy-3.jpg?v=1729706010"},{"product_id":"television-fathers-by-sylvia-jones","title":"Television Fathers by Sylvia Jones","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003eSylvia Jones’s Television Fathers creates a wholly new lens. With poems reminiscent of iconoclasts such as James Tate or Jay Wright, Jones’s voice is playful and pithy, simultaneously reimagining the past and reveling in the absurd contemporary—her gaze never straying from social inequity, nor from the personal scales of fate. A heavily saturated debut collection of unsuspecting interiority, Television Fathers is the future of modern poetry.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eISBN:  \u003c\/strong\u003e9781950987542\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 5.5 x 8\"\u003cbr\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSoftcover book\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eMeekling Press\u003c\/strong\u003e\u003cbr\u003e(Pilsen)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMeekling Press is a small “boundary defying” publisher, printer, and arts collective based in Chicago. 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The issue features thirty photographic plates that document The Building, and patton in it, a hundred pages of patton's writing from across four decades, and numerous guest essays and poems from Lee Ann Brown, Will Alexander, m. nourbeSe philip, and many more.\u003c\/span\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003eDimensions: \u003c\/strong\u003e6 × 9\" \u003cbr\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ePaperback, 380 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4224,\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"stonweware, celadon or other glazes\"}'\u003e\u003cstrong\u003e\u003cbr\u003eChicago Review\u003c\/strong\u003e\u003cbr\u003e(Hyde Park)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Since 1946, Chicago Review has published a range of contemporary poetry, fiction, and criticism. Each year typically includes two single issues and a double issue with a special feature section. We are located at 935 East 60th Street, Chicago IL 60637.\"}' data-sheets-userformat='{\"2\":4226,\"4\":{\"1\":2,\"2\":14281427},\"10\":2,\"15\":\"Arial\"}'\u003eSince 1946, Chicago Review has published a range of contemporary poetry, fiction, and criticism. Each year typically includes two single issues and a double issue with a special feature section. They are located at 935 East 60th Street, Chicago IL 60637.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Chicago Review","offers":[{"title":"Default Title","offer_id":45922744107252,"sku":"P5132CHR","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0445\/4282\/0511\/files\/ChicagoRevie-Arkitext-Buddy.jpg?v=1730064517"},{"product_id":"empress-of-dust","title":"Empress of Dust","description":"\u003cp\u003e\u003cspan\u003eThere are monsters outside the city walls. 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